Showing posts with label Hertford Union Canal. Show all posts
Showing posts with label Hertford Union Canal. Show all posts

Monday, 20 July 2015

Drawing fail

My mobile work station
It was going to happen somewhere along the way. I was going to have at least one drawing disaster, or if not a complete disaster then starting something that I couldn't develop. I wasn't going to publish it but since I've published everything else so far I could hardly leave it out since it is part of the trip. I've been experiencing quite a lot of fatigue recently and thought I could work through it but sometimes you just can't.

My view at the end of the car park
I had previously spotted what I thought was an interesting location at the end of the German Deli car park. I popped into their shop to see if I needed permission to work in their car park overlooking the canal but the young lady behind the counter seemed that I didn't need to even ask. I'm glad I did though because I discovered that as well as having a shop they run a nice looking café too which will be worth a lunch time visit.

I set up my stool, got out my sketchbook and gazed here and there, stared left and right and nothing sparked much interest. I decided I should at least try and do something since I'd made the effort to get there so got my pens out. Often, once I start on a sketch, I forget about everything else and am often pleasantly surprised by the results. The sight of a rodent trap did nothing to improve my mood although the sight of these small figures enjoying the sun did.

More canal art
I wondered if the view of the Olympic stadium might work but it didn't appeal so I settled on a cyclist having a rest on a bench on the other side of the River Lee Navigation. As you can see I didn't pursue this for long so I decided to pack up and head home.

Sketch fail

Thursday, 18 June 2015

Sheltering under a canopy of leaves

The drawing of the canopy with the real branches in shadow adding an extra dimension to the scene
A fairly dull view ahead of me...
 Since I began this series of drawings I have been progressing my way along the tow path from Wick Lane towards White Post Lane. For this drawing I doubled back on myself and sat on the same bench that I used to make my first sketch. This time I faced the canal instead of having my back to it and looked up at the canopy of leaves above me instead of looking straight ahead.

I started in the same spirit as the previous drawing where I tried to let the line wander where it wanted to go. I began the drawing without looking at the paper, only at the view, but discovered I didn't have the confidence to complete the whole drawing doing that because I wanted the finished result to look a bit like the view I had. I might try that approach again later in the series just to see what happens.

... but look what I saw at my feet, a scene full of possibilities

Monday, 15 June 2015

View from under the bridge

My drawing of the bridge photographed on the bridge
I wandered along the canal until I reached the new pedestrian bridge that links Roach Road with the canal. Roach Road is one of the local roads named after freshwater fish and the others are Smeed Road, Dace Road, Monier Road and Bream Street which has led to the area adopting the name Fish Island. This location, which is in the London Borough of Tower Hamlets, isn't actually an island but is bordered on two sides by canals and the East Cross route borders a third side so the area has a feeling of being an island.

A locked gate revealing
an intriguing view
Apparently it was the artist Paul Klee who said that drawing is like 'taking a line for a walk'. I like the idea of starting a drawing and following where it wants to lead me so I tried to follow this maxim with this sketch of the bridge. I admit that I was tempted to interfere with the route on a number of occasions but then I would take a deep breath (plus a sip of tea always helps) and let the drawing wander where it wanted to. I did feel rather helplessly confused by all the competing lines in the composition but I had to remind myself that that was what had attracted me to the view in the first place.

While I was wrestling with not interfering with my own work I met a nice man who, having crossed the bridge, spotted what I was up to and stopped for a brief chat. It turned out that he too is an artist who, like me (and doubtless countless other artists), is more interested in the apparently mundane aspects of day-to-day life than grand gestures.